Another batch of sunrises — leaving the gym around 6:45am, looking east on Market Street (L to R: 2/20/18, 2/21/18, 2/26/18, 2/27/18, 2/28/18, 3/6/18, 3/9/18, 3/13/18, 3/14/18, 3/16/18, 3/19/18, 3/20/18)
AIGA Philadelphia hosts a series of events called "Drink and Draw." Various artists chat about their process/work and inspire those in attendance to do some drawing themselves.
The February event was hosted be MECRO, who is known for his use of dynamic, bold, and layered typography. He encouraged us to explore how different styles of text layer on top of one another. I was struggling to come up with words to write (do I use song lyrics? do I think of clever words that look appealing? what about random words? or one category of a thing?) So I instead turned to a summary of the event & my experience at the event.
After spending about half an hour working on this – adding in comments, overheard conversations, observations, and details, I was ready to move on.
For my second sketch of the night, I wanted to try something completely different but still in line with MECRO's thinking. I chose to treat the word "Fluxy"(an obscure reference to a song by the band The Early November that i've adopted and been using since 2008.) I drew some boundaries and started layering and adding type (playing with scale and density). The "final" piece is weird, imperfect, and fun.
This is one of the benefits of getting up early and going to the gym – leaving around 6:45am and catching the sunrise and changing sky as you look east down Market Street. (Left to right: 1/3/18, 1/8/18, 1/9/18, 1/10/18, 1/29/18, 1/31/18, 2/5/18, 2/9/18, 2/12/18, 2/13/18, 2/14/18, 2/19/18)
My family and I went on a cruise to the Western Carribean / Mexico to celebrate my Dad's 60th Birthday this month. Despite some not-so-great weather during our trip, we had a fantastic day while in Cozumel, Mexico (except we were only in Cozumel for about 30 minutes total...)
We chose to head to Playa del Carmen (and then further south along the coast to explore the Mayan ruins in Tulum). During our trip out of "downtown" Playa del Carmen and further south, I saw some great colors, typography, and general design.
Not only are these two albums (Lorde's Melodrama and Manchester Orchestra's A Black Mile to the Surface) two of my favorites of the year, but I also am really drawn to the simplicity and effective use of color. The Lorde album cover is haunting and captivating. The hand-painted portrait captures the album's emotion & spirit.
There are so many great book covers from the year - it was hard to narrow down to a few of my favorites. I had not seen the cover for When Dimple Met Rishi until I was looking around at some of the 2017 book covers, but I was instantly drawn to the casual, cheeky, and specific aesthetic being communicated from the cover. Janet Hansen's cover for All We Saw is simple, restrained, and intriguing. And Nick Misani's cover for The Age of Perpetual Light is so effectively executed that it completely encapsulates the title and makes for a fantastic image.
I'll be very curious to see the Chobani rebrand roll out into stores. I'm wondering if it will stick (is it too design-forward and "now" looking to last in the mass market?) and/or how it will continue to evolve. I love the new typographic choices, and the effective use of illustration and photography makes for a fascinating system.
Even though I hated the entire experience of sitting in a theater and watching mother!, this poster is stunning and a work of art. The soft painterly style adds to the image that is laden with visual references to many of the Biblical undertones and allegories from the film. (Side note: I lauhged out loud and rolled my eyes a number of times throughout the movie...)
(Keeping this as a blog post so I can update the Philly Free Streets page with more current work.)
While working at the Philadelphia Water Department, I was lucky enough to get to do most of the branding, advertising, marketing, and day-of design work on the inaugural Philly Free Streets - which temporarily closes Philly streets to cars, inviting people to walk, bike, & play. Philly Free Streets is a people-powered initiative of the City of Philadelphia. I worked closely with the wonderful people from the city's Office of Transportation & Infrastructure Systems..
Working with my Creative Director to finalize the logo, I developed a wide scope of materials that lead up to the event, as well as some items for the event itself. Some of the first things I worked on were the icons that would round out the pedestrian icon - aiding in showcasing a variety of activities & types of people who would come out to experience Philly Free Streets.
The first part of the process was to slowly roll out the brand across a variety of channels - through traditional press and social media.
As the event drew closer, we wanted to ramp up visibility, and had advertisements displayed at bus shelters around the city. Both print posters & digital displays were used.
I designed two different styles of t-shirts for the event itself, one for volunteers, and one that was a giveaway to Philly Free Streets participants.
A quick little sketch-to-vector process :)
A long weekend in the Berkshires (Pittsfield & Camp Becket) that culminated in one of my good friends, Chelsea, getting married. It was a beautiful weekend and an incredibly fun wedding.
Here are some of my favorite shots from the weekend.
Quintessential Los Angeles -- couldn't resist this dreamy shot before I left for the airport :)
I spent a few days in beautiful (and hot.... 120º hot) Palm Springs in early July to celebrate a friend's upcoming wedding. Not only is the landscape it's own kind of stark beauty, but the architecture is it's own attraction. The sleek, minimalist, mid-century modern homes were captivating and amazing to tour.
I had a great time exploring Minneapolis this past weekend. These photos are some of my favorites from the 4 days I was there. It was pretty grey/rainy the whole weekend, but that didn't stop us from exploring and checking out tons of local restaurants and outdoor spaces.
Highlights featured in these photos: (1,2,3) Walker Art Center; (4,5) Views from the Guthrie Theater; (6) Mill Ruins Park
I was looking through some old files...
Every few months (or when I remember to), I wipe the photos off the phone and back them up on an external hard drive. I always enjoy reliving the last few months and finding an image and remembering why I snapped a picture in the first place.
Above, from L-R: subway texture in NYC (July 2016) // Schuylkill River in the late afternoon (November 2016) // Tioga County Rest Stop on PA Rt. 287 (January 2017)
Part of my current job involves these mini "campaigns" promoting the Philadelphia Water Department's residential improvement program, Rain Check. The fall/winter is usually a slower time for the program and we have been doing small social media pushes for sign-ups aligning with various holidays/motifs over the last 6 months or so (Halloween, Thanksgiving, etc.)
This is one of my favorites we have done - a fake personal ad from a rain garden to a resident. I personally enjoy how tongue-in-cheek and specific it is - but I had a blast making this particular graphic.
Here's a break down of what the process was:
Starting from the left:
- In order to get the right sense of bundled up and layered newspaper, the quickest way to execute this was to actually bundle and clip together real newspapers.
- After scanning the newspapers in, I Photoshopped out the text to give me a base for creating the faux personal ad.
- I got the content in place, trying to make it seem like something that would legitimately appear in the back of a newspaper.
- To emulate the way someone would circle an ad (in this case, with a heart), I tried out some different strategies, and found that a highlighter on white paper produced the best results.
- With some Photoshop assistance (changing color, blending), the final piece came together.
I saw these boards in the vestibule where the elevators & payment info are in the Port Authority. I have no idea what they are, or what message/information they are communicating (or who for) - but I was struck by the abstract minimalism and variance in composition and execution.
I guess you never know where inspiration will strike – like the 5th floor of the massive and complicated maze that is Port Authority.
I was looking through some old files...
In August of 2013, my family and I went on a cruise to Alaska. It was, without a doubt, a trip i will never forget for many reasons - especially the train ride we took from the Yukon Territory along Bennett Lake to Skagway, AK. These are some (mostly) unedited photos from along the lake. I only tweaked the color and contrast, but all of the natural perfect reflections and immense beauty is representative of the incredible trip we took.
Chris suggested late in 2015 that I challenge myself to read a book starting with every letter of the alphabet in 2016 (eliminating some small article words, like 'the' 'a' etc). I wanted to try some new authors, topics, points of views, and types of books in the process. I did not read the books in any order - just kind of started somewhere and found my way through the alphabet.
- Favorite Overall Read: Intimacy Idiot by Isaac Oliver
- Favorite Book Cover: The Girls by Emma Cline (or) Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler
- First Book Read: Room by Emma Donoghue
- Last Book Read: Wolf in White Van by John Darnielle
- Books read on Audible.com: 2
- Books read on Kindle: 4
- Books borrowed from the library: 18
- Book most outside of my comfort zone / from a genre I don't usually read: Sleeping Giants by Sylvain Neuvel (Science Fiction / Fantasy)
Below, take a look at a more detailed slideshow of the books/process.
Onto 2017 - I'm not setting any rules for my reading, aside from to keep reading books that excite me and from a diverse pool of tremendously talented authors.
I forget exactly how I first came across Mike McQuade's work, but I was instantly drawn to it. I love his frenetic collage/compositions and the way the finished pieces end up looking both chaotic and resolved. Most of his work is editorial and must function within a layout in print or on the web. Mike's use of structure, composition, and detail make his pieces really stand out and act as phenomenal companions to the written piece.
Saul Bass produced an incredible amount if truly timeless design. From his huge repertoire of logos (so simple and iconic) to his famous work with the film industry (credit sequences, poster design, etc.) His expressive illustration style - geometric and awkward and "off" - is so iconic and it speaks so much to the design around the world at that time. Bass' typography is modern and helps to truly create a "mood" for each poster. Many designers have interpreted Bass' work over the year - and his influenced is still seen every day. I'm a huge fan of Saul Bass' work and still think fondly of the paper I wrote on him for my history of Graphic Design course during my time as a student.
Overall, I think the Visit Philadelphia site does a great job of presenting pertinent and exciting information to potential visitors to Philadelphia. The carousel of images on the homepage immediately familiarize the visitor with some well-known Philly landmarks (Liberty Bell, the Zoo, etc.) The overall design of the site is clean, pretty user-friendly, and simple, but exciting.
On some of the subsequent pages, the content has clear hierarchy and is reinforced through type size and placement. One of my favorite elements on the site is the semi-branded neighborhood pages. Each neighborhood feels special, and presents the feel/vibe of the neighborhood to a potential first-time visitor, through photographs, maps, and the mini badges/logos that place the neighborhood on the map.
Best of 2016
It's no surprise that Bon Iver's 22, A Million is appearing in this collection... It's probably my favorite record of the year and the album artwork and promotional graphics are intricate and offbeat. I'm drawn to the severe color palette and the intricate (and weird) illustrations/doodles that designer Eric Timothy Carlson created in partnership with Bon Iver.
Year after year, I am still most excited to dig through some of the year's best book covers. Here are three that I think represent innovative, exciting, and well-thought out work. I think I am most drawn to the typography in the Version Control cover, hinting at it's science-fiction plot. The background illustration is vague and perfectly obscured.
Not only is Moonlight my favorite movie of the year, but the movie poster is just as evocative, moving, and beautiful as the movie. The three actors who play Chiron during three distinct periods in his life. The poster breaks and re-configures Chiron's face to reflect his growth through his childhood, adolescence and adulthood. Plus – the coloring and lighting is moody and beautiful, just like the entire film.